My shoulder surgery involved a doctor, drugs, and a lot of money. So in many ways, it was like Bill Cosby.
Here’s a Bleak Future interview I did for the UK’s New Empress Magazine recently. Courtesy of Steve James @SteveJames_Igor, who made it happen. And thanks to Bleak co-producer Marc Campos for the photo, and whose name is not spelled Compos. Sorry Marc! Bleak Future Interview_New Empress_2013 (PDF)
A little vid I threw together for THE ADICTS, based on an idea from Monkey, with much help from Rob Dobbs, Dan™ and Rhiannon, and the gang. Shot in 6 hours. No budget.
But you don’t get any details until it’s done. The guy who first called me in to work for Roger Corman back in 1997, John Baumgartner (left), will be directing this puppy. Everything I learned from the failure of my werewolf picture, Audie & The Wolf, is helping make this new script KABOOM with goodness. Lessons from Audie: Don’t fuck with the …
Audie’s been selected to play the 19th Annual Cinequest Film Festival as part of the New Visions Competition, where it will be eligible for the New Visions Award and the Audience Award. Our screening dates are: SAT, 2/28 – MIDNIGHT (Camera 12 Cinemas) TUES, 3/3 – 9:30PM (San Jose Rep Theatre) See you in San Jose! B.
In the interest of taking a break from the bludgeoning, but not really, I offer you the top ten reasons why you should come see the World Premiere of Audie & The Wolf on Thursday August 14 (details at http://audieandthewolf.com)
Audie and The Wolf, the feature I wrote, directed, edited, and produced with Brooklyn Reptyle Films, and have been working on all year, is almost done with post-production. Smart Post Sound in Burbank is handling the entire sound package, from sound design to ADR to foley to mix. Composer Karl Preusser had a bit of a setback when his mixing …